On a windy spring day, she drives down a winding road. Dry oak leaves blow in front of the car as if someone forgot to tell the leaves that it was spring, not autumn. She thinks about death during her drive; she kills off not one or two characters in her novel, but a whole slew of them. She's worried that she hasn't written the emotion to carry the deaths. But her lack in narrative emotion, she realizes, comes as a result of strong faith. She knows there's a heaven. When people die, they don't just die. When people die, there's sadness and missing, but not devastation. They don't disappear for good. When she reaches home, she's met with news of a death. A woman nearly fifty years her senior, a woman she visited regularly. A woman she brought homemade peach jam to, who welcomed the gingerbread boy with blocks, who showed her newspaper clippings. In fact, she visited this woman in the hospital not four days prior. The woman's family was there, all gathere...